![]() ![]() Garrett’s works are often deeply spatial and connected to landscape. The range of Garrett’s bold palette coalesces into dense overlays and spreads into expansive washes. The pace of her mark-making varies in speed, width, and density, activating a specific tempo within each piece. To confront and absorb the marvel of each piece, movement is required.įrom one painting to the next, Garrett’s brushwork maintains a reverent attentiveness despite scale. Garrett’s small works occupy the majority of the exhibition, while a singular large work embraces an unobtrusive, initially unseen space. The installation itself requires proximity and distance. ![]() Garrett’s two scales mark the physical extremity of her practice, demonstrating the adjustments of perception that she exercises in her process. There has been nothing static about the experience of putting on this show, and we are aware of what time has offered us, allowing shifts both subtle and significant.Īegis includes 16 of Garrett’s smallest oil paintings at 4 x 6 inches, and one of her largest works at a towering 94 x 57 inches. We would like to express our gratitude to Ashley who has been extraordinary in her patience and perseverance, pivoting with us along the way. After several delayed starts, we are thrilled to share a body of work that has been waiting for eyes since mid-March. ![]() SEPTEMBER presents Aegis, Ashley Garrett’s first solo exhibition with the gallery. ![]()
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